Highlights – Watford 3-2 Burnley
3 Mar 2012 15:01DM – Part timer
MR – Updates please, mouthy
DM – 0-0
DM – Oooooooooooooooooooooooooohhhh…..  0-0
Tag: Micah Hyde
8th August 2009-Championship, Watford 1 Doncaster Rovers 1
 Malky Mackay was denied a winning start as Watford boss after Doncaster striker James Hayter cancelled out Danny Graham’s early strike.
 Watford’s ideas of a dream opener were quickly quashed as they drew 1-1 at home to Doncaster.
Doncaster manager Sean O’Driscoll refused to blame the match officials but he believed his side were denied a legitimate goal during their 1-1 draw at Watford.
Fizzle. It should, of course, be remembered that there have been less auspicious starts than this to very auspicious seasons; we all crave answers, but these early season games often raise still more questions instead. It was a bit of a non-alcoholic beer of a match: the same fizz as the bottle’s cracked open, but some bite missing from what’s inside.
(taken from Watford v Blackpool programme 22nd August 2009)
Portsmouth’s traumatic week sunk to new depths as they were knocked out of the Carling Cup by Watford.
Watford would seem to specialise in compounding the problems of troubled south-coast clubs, but Portsmouth’s first-team coach Kevin Bond did not bemoan the impact of Harry Redknapp’s departure as manager last week.
Three BSAD reports including…Despite recent events, Portsmouth are a much better side than the last round’s victims, and this success required the intense, concentrated implementation of a well-prepared gameplan. Required it, got it…and weagain, astonishingly and spectacularly, arrived at the point where we’d put the game out of reach with half an hour remaining.
Gianluca Vialli’s Watford extended their winless run to five games as they were held to a draw by Preston at Vicarage Road.
Watford’s stuttering start to the season continued as they were graciously handed a point by David Moyes’ Preston North End in a 1-1 draw at Vicarage Road last night.
A founding member of the De Stijl movement, Piet Mondrian rejected the long-held idea that art should be a representation of the world. Instead, his paintings were constructions in their own right, comprised of strong black lines, precise right angles, and flat expanses of primary colour. Seeking the perfect composition from these most basic elements, Mondrian moved the blocks around the canvas until a balance was struck and the work was finished.
