Tag: Micah Hyde
Fizzle. It should, of course, be remembered that there have been less auspicious starts than this to very auspicious seasons; we all crave answers, but these early season games often raise still more questions instead. It was a bit of a non-alcoholic beer of a match: the same fizz as the bottle’s cracked open, but some bite missing from what’s inside.
(taken from Watford v Blackpool programme 22nd August 2009)
How often have we heard that same old story? Team goes on cup run, team matches Premiership (not Premier, not a ship) side, team comes down to earth with a painful bump the following weekend. Okay, maybe not that often, but you get the point. Crewe at home, despite our visitors losing Dean Ashton to Norwich, had “potential banana skin” written all over it. Much as everybody’s attention is rightly focused on a certain game against a certain team, the need to build on the last home match (a 1-0 win over Millwall, in case you can’t remember in a post-Anfield blur) with another three points was paramount. The Carling Cup Final would be nice, but a few home league wins in a row will keep the relegation battle wolf well and truly clear of our door.
Watford would seem to specialise in compounding the problems of troubled south-coast clubs, but Portsmouth’s first-team coach Kevin Bond did not bemoan the impact of Harry Redknapp’s departure as manager last week.
Three BSAD reports including…Despite recent events, Portsmouth are a much better side than the last round’s victims, and this success required the intense, concentrated implementation of a well-prepared gameplan. Required it, got it…and weagain, astonishingly and spectacularly, arrived at the point where we’d put the game out of reach with half an hour remaining.
More games from 30th November at https://oldwatford.com/tag/nov30
A founding member of the De Stijl movement, Piet Mondrian rejected the long-held idea that art should be a representation of the world. Instead, his paintings were constructions in their own right, comprised of strong black lines, precise right angles, and flat expanses of primary colour. Seeking the perfect composition from these most basic elements, Mondrian moved the blocks around the canvas until a balance was struck and the work was finished.